Gary (not his real name, which is never revealed) is a hustler walking through the streets of New York City, looking for business. On the way, he saves a young deaf transvestite from a group of gay bashers, but regrets it afterwards because the transvestite becomes infatuated with Gary and follows him everywhere. Gary introduces the transvestite to his friends: Valentino, a former porn star, and Mary Carmen, the Latina who works as a doughnut shop waitress and is in love with Valentino, with whom she has been living for some time. Together they form a bohemian family, which includes Veronica, a still-active porn star, and Nat, a tattoo artist. Gary is also in love with Valentino, who is dying of AIDS. Through the stages of the disease, Mary Carmen and Gary argue over what kind of care he should be receiving, and who is going to supply that care. As Valentino draws near death, Mary Carmen finds out she is carrying Valentino's baby. The three take stock of themselves and their relationships with one another.
This is the story of a New York low-budget film crew, led by their insane and egostical blind film director, Larry Benjamin, who is trying to create a work of art. In addition to the typical trials and travails of a Troma set, the crew is preyed upon by a sexually conflicted, bomb-toting serial killer. Among the large poorly paid film crew, the movie centers mostly on production assistant Jennifer, who struggles to do her job while deciding between the two men in her life; the straight-laced boom operator Casey, and the rebellious special effects operator Jerry. The love triangle intensifies as the dead bodies mount with increasingly brutality. At the climax, the entire film crew bands together (both physically and sexually) against the mortal threat in their midst.
China, 2007. Spring. The protagonist is a private investigator hired to spy on a man who is having an affair with another man. However, the investigator becomes entangled in a love triangle with the boyfriend of the man he's investigating and his own girlfriend.
En 1971, Carole (Cécile de France), une parisienne en couple avec Manuel vit activement les débuts du féminisme. Delphine (Izïa Higelin), une fille de la campagne, monte à Paris pour gagner son indépendance financière. Les deux femmes, Delphine et Carole, se rencontrent. Elles vont alors vivre une histoire d’amour qui va se heurter à la réalité.
The film takes place in 1920, in the Midlands mining town of Beldover. Two sisters, Ursula and Gudrun Brangwen, discuss marriage on their way to the wedding of Laura Crich, daughter of the town's wealthy mine owner, Thomas Crich, to Tibby Lupton, a naval officer. At the village's church, each sister is fascinated by a particular member of the wedding party – Gudrun by Laura's brother, Gerald, and Ursula by Gerald's best friend, Rupert Birkin. Ursula is a school teacher and Rupert is a school inspector; she remembers his visit to her classroom, interrupting her botany lesson to discourse on the sexual nature of the catkin.
Dawn Davenport, a regular troublemaker at her all-girls school, receives a failing Geography grade and a sentence of writing lines for fighting, lying, cheating, and eating in class.
Over a black screen, Sada Abe (Junko Miyashita) tells some of the aliases she had used in her past. The opening concludes when the words "Kichi Sada 2" appear on the screen, followed by a newspaper headline, "Document: Sada Abe," which is the Japanese title of the film. The lovers, Sada and Kichi (Hideaki Esumi) are then shown together, with Kichi predicting that he will die if their love-making continues.
À la suite d'une panne de voiture sur la route du retour des vacances, Paul et René, deux quadragénaires lassés de leurs illusions perdues, décident de devenir des lions et de partir vers le soleil. Refusant dorénavant le travail à l'usine, le métro, la routine, ils vont vivre de petites escroqueries et rencontrer l'amour au détour de leur aventure.
The film's title, "The Pillow Book", refers to an ancient Japanese diary written by Sei Shōnagon, actual name believed to be Kiyohara Nagiko, from whence the protagonist's name in the film.
In 1936 Tokyo, Sada Abe (Eiko Matsuda) is a former prostitute who now works as a maid in a hotel. The hotel's owner, Kichizo Ishida (Tatsuya Fuji), molests her, and the two begin an intense affair that consists of sexual experiments and various self-indulgences. Ishida leaves his wife to pursue his affair with Sada. Sada becomes increasingly possessive and jealous of Ishida, and Ishida more eager to please her. Their mutual obsession escalates to the point where Ishida finds she is most excited by strangling him during lovemaking, and he is killed in this fashion. Sada then severs his penis, walks around with it inside her for several days, and writes, "Sada Kichi the two of us forever," in blood on his chest.
An avant garde fashion show is to be held in a new wave nightclub in Manhattan. Among the models are bisexual Margaret (Anne Carlisle) and Jimmy (also played by Carlisle). Jimmy is Margaret's rival and nemesis. An apparent drug addict, he constantly hassles Margaret's heroin-dealer girlfriend Adrian (Paula E. Sheppard) for drugs but has no money to pay for them.
Pierre et Lucie sont frère et sœur. Ils sont étudiants, ont un groupe de rock avec leurs amis d’enfance : Sébastien, Nicolas et Baptiste. Ils vivent entre tout ça et leurs histoires d'amour...