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Arpita Chatterjee is a Actor and Scriptwriter Indian born on 1 january 1979

Arpita Chatterjee

Arpita Chatterjee
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Nationality Inde
Birth 1 january 1979 (45 years)

Arpita Chatterjee (Bengali: অর্পিতা) is an actress in the Tollywood Bengali language film industry of India. She is the present wife of Prosenjit Chatterjee. She made her film debut in 1999 with the film Tumi Ele Tai, directed by Prabhat Roy.

She is a complete mix of beauty, grace and talent. An ace actor, she is a familiar face in the Bengali film world. Arpita always loved facing the camera and she still does so. As leading actor Prasenjit Chatterjee’s better half, she is well known in the film world as the First Lady of Tollywood. While at the helm of acting, Arpita decided to quit films and take up the role of a doting wife and a caring mother. Today, she is back into acting, once again. Some of the films which made Arpita a name in the film fraternity include Deba, Debdas, Inqlab,Prem Shakti, Pratarok, Dada Thakur,Pratibad, Utsab and Anupama. Her comeback film Ekti Tarar KhonjeDirected By Anirudhya Roychoudhury set the ball rolling.
Arpita is a true example of one who has been able to maintain a perfect balance between her personal and professional life.

This outstanding young actress from Kolkata has made a niche for herself in the world of Bengali cinema. She walked the ramp in 1997 for Sananda Tilottoma and walked away with the crown.This multi talented pretty woman soon started wooing the audience of Bengal with her charm and acting capability.There has been no looking back since then...

She has not only acted in films of renowned directors like Shakti Samanta and Rituporno Ghosh but also appeared in commercials of ITC and Saffola. She has been a part of Pradip Sorcar’s project recently.She is spreading her wings far and wide. Ekti tarar khonje, Laboratory, her most recent films, have received overwhelming reviews.


A talented performer, she is also an able singer and dancer. Arpita has performed in various cultural programmes till date. Her recent performance as Shyma for ISO had the audience spellbound !A hard working soul, Arpita has an eye for perfection in whatever she does, be it in her production house as one of the Directors, or as Tollywood's first lady, wife of Prosenjit Chatterjee or as an actress whose versatile performances have earned her accolades all over the state.

She is set to make her Bollywood debut with Shab, directed by Onir.

Usually with

Source : Wikidata

Filmography of Arpita Chatterjee (16 films)

Display filmography as list

Actress

Chauranga
Chauranga (2016)

Directed by Bikas Mishra
Genres Drama
Actors Sanjay Suri, Riddhi Sen, Ena Saha, Radhika Apte, Tannishtha Chatterjee, Dhritiman Chatterjee
Roles Nidhi
Rating63% 3.1923353.1923353.1923353.1923353.192335
A fourteen-year-old Dalit boy (Soham Maitra) is growing up in an unnamed corner of India. His dream is to go to a town school like his elder brother (Riddhi Sen) and his reality is to look after the pig that his family owns. His only escape is to sit atop a Jamun tree and adore his beloved (Ena Saha) passing by on her scooter. His unspoken love is as true as his mother’s helplessness who cleans the cowsheds of the local strongman’s mansion, with whom she also has a secret liaison. When the boy’s elder brother comes on a vacation to the village, he soon finds out about his younger brother’s infatuation. The learned elder brother makes him realize the need to express his love and helps him write a love letter.
Force
Force (2014)
, 2h15
Genres Drama, Action
Actors Prosenjit Chatterjee, Arpita Chatterjee, Tathagata Mukherjee, Kharaj Mukherjee, Ena Saha
Rating69% 3.4511753.4511753.4511753.4511753.451175
Force is a new commercial Bengali movie, is based on the love and relationship of a father and a son. Arjun (Prosenjit Chatterjee) is an encounter specialist police officer whose goal is to eradicate both crime and criminals from the society. He lost his wife during the birth of his son, Abhimanyu. His son is an autistic patient and suffers from neurodevelopmental problems.
Chotushkone, 2h28
Directed by Srijit Mukherji
Genres Drama, Thriller
Actors Aparna Sen, Chiranjeet Chatterjee, Goutam Ghose, Parambrata Chatterjee, Payel Sarkar, Indrasish Roy
Roles Jyotsna Mukherjee
Rating81% 4.093484.093484.093484.093484.09348
The film starts with a woman writing a letter, which reads 'Amar mrittur jonne keu dayi noy' which means that 'no one is responsible for my death'; but she strikes out 'keu dayi noy', hinting that there is someone, or some people responsible. A man is seen coming out of a taxi, coming up the stairs, and then opening a study room where the woman is seen hanging from the ceiling. A young boy, who was probably sleeping on a bed nearby, rushes to greet the man, but discovers the woman's hanging corpse. Here the camera rolls back to sometime past. A beautiful woman named 'Nilanjana' is seen talking with some people, and then visits another man in a corner named 'Ritwik', and together, they go to meet someone. The audience is brought to the present again, where a producer and a director is seen having a deal that the latter would convince three famous film-artists to feature in the film. The director leaves, and starts doing what he said. There are various minor details as in introducing the three present characters. The director 'Joy', who seems close to one of those artists, Trina, meets her on a rooftop, and tries to convince her to take up this work against her wishes to work with another man who would feature in this collaboration. There is a slight hint that there is an old clash between them, possibly of love. Meanwhile, another such famous film-artist 'Sakhyo' tries to convince that very man named 'Diptyo' with whom Trina has a problem with to join this collaboration. The idea is that these people are to make a film, individually; thus, four directors get together and plan to make a film, consisting of four short stories one one theme-DEATH. They have an appointment with the producer on the outskirts of the city. Now, again, in a black-and-white screen, Nilanjana and Ritwik are meeting a producer, and they have just one request before finalizing the contract-their mutual friend 'Amitava' who is a struggling, but talented director. In the shooting set, it is clearly implied that 'Amitava' is in love with Nilanjana, and is filled by rage, and becomes jealous when he discovers Ritwik and she kissing in a room during the shooting. Coming back to the present, while the four are together, all three except Joy comes up with a story which is unique in its own way, but connected to the other stories by a common theme. Their stories are autonomous. In between the stories, some scenes reveal that there is something in between Trina and Diptyo. However, in the middle of the night, as they were going towards their destination, the car breaks down, and they spend the night in a nearby bungalow that is said to be belonging to the same producer; his cell phone is switched off. It is here that each of them revisits their past by the courtesy of Joy. In the beautifully crafted climax, Joy starts narrating his own story before meeting the producer. He says that his film named 'Nemesis' features three people-an actress, an actor and a director, of the '70s. The actress Nilanjana, is the leading superstar of that era. The actor Ritwik is a very good painter, and the director 'Amitava' is a struggling one, though talented. Diptyo interrupts and says that he shall send him his mail-id, here Joy can send his pay-cheque, implying that his characters are the very same people in that room. Joy, not quite interrupted, continues; he tells that 'these three were connected by a well known figure of geometry-Triangle'. Nilanjana fell in love with Ritwik after observing his acting skills; the couple were very compatible in the beginning, both had common likes and fancies. They started dating. 'Amitava' had to live with unreciprocated love, but this did not affect the friendship among them. But then, when the film is about 70% complete, the relationship between Nilanjana and Ritwik breaks, and Amitava, no longer able to see the two brimming with romance, decides to leave the film. In between all this, the producer, who was up with a new idea in the world of Bengali Films, and had spent a lot of money, went bankrupt. Although this man could somehow manage to live, his wife, who noticed that her jewellery was one by one consumed to make up for lost money, hung herself due to a financial insecurity. The man was broken and devastated-he became mentally unstable, and turned mad. Joy stops here. The rest three, who remained a bit shocked at the recurrence of past events, that actually featured them, however, praised him for the plot. Diptyo asked him where was the connection of retribution, or nemesis with these events. In response, Joy says that this ways just the pre-title - the real story takes place 20 years later. In the real story, this producer's step-brother, whom they loved more than their own child was scarred for life when he saw all these happen. He was brilliant student, and even out of all financial crisis there was no bar put before his education-he went abroad with a scholarship, but came all the way back to Calcutta to direct films, because that was in his blood. He wanted to do that desperately. After filming some low-grade films, he draws up courage for his final act. He told the three of a fake producer, a fake deal, with a fake card and a fake cell-phone number. Right then, Diptyo tries to look into his mobile to check on something, when Joy shouts, calls in the driver of their car 'Sanjay', who was supposedly in the city with the faulty parts of the car. Sanjay, though reluctantly, points a revolver with 4 bullets, at them, and takes away their cell phones. Joy now continues; He says, "After successfully entrapping them in a desolate bungalow in the middle of a jungle...this guys, he decides to...kill them!...one by one." Now as the climax draws to an end, at first the revolver is aimed at Sakhyo, but the cabinet is empty when the trigger is pressed! With the next culprit Diptyo, the same thing happens. Next, when it is pointed at Trina, and there is no doubt that this time there will be a shot, Trina declares that she still loves Diptyo. Just when the trigger was about to be pressed, a quick thought from Diptyo made him pull Trina out of the bullet's way, which in turn hit Joy, fatally. The camera is seen drifting away from a scene of regret and sobs from the driver and another old servant in the house. This was his film, 'Nemesis.
Satyanweshi
Directed by Rituparno Gosh
Genres Crime
Actors Sujoy Ghosh, Arpita Chatterjee, Indraneil Sengupta
Roles Aloka
Rating59% 2.952982.952982.952982.952982.95298
Maharaja Arunangshu, the ruler of a princely state named Balabantpur, had made a wish list on his death bed in the presence of Dewan Chandrashekhar, the family physician Kaligati and the High Priest. It laid down certain conditions under which his son Himangshu could inherit the kingdom. The first condition forbade Himangshu to marry a non-Hindu girl, and the second demanded a legitimate heir within three years of his marriage. Bound by his father's conditions of succession, Himangshu is compelled to marry Alaka, an aspiring actress. A year and half into the marriage, Harinath, the young palace librarian, who is friendly with Alaka, disappears without any trace. This mystery occasions the arrival of the sleuth Byomkesh and his author friend Ajit to Balabantpur. The visit, however, is under the pretext of an invitation to take part in a hunting expedition. In the course of their stay, they unravel many secrets involving the residents of the palace and also about the topography of Balabantpur. Byomkesh is particularly intrigued by the character of Kaligati, the royal physician, and uncovers several clues which connect Kaligati with the disappearance of Harinath. It is discovered that Alaka is sexually frigid. But she was anxious to continue the bloodline of Himangshu. Not getting any sexual pleasure from his wife, Himangshu was attracted towards Leela, the daughter of Kaligati. On a previous hunting expedition Alaka had sent Leela with Himanghshu instead of herself accompanying him. Thus Leela became pregnant with his child. But Harinath the librarian loved Leela and wanted to marry her despite knowing she was carrying Himangshu's child. Kaligati found this inconvenient as Leela's son would then be officially known as Harinath's son and not Himangshu's. Kaligati wanted to be the grandfather of the royal offspring. Thus he orchestrated Harinath's drowning in quicksand on the night when he discovered Harinath had married Leela. The ensuing story revolves around the detective's unveiling of Kaligati as the culprit behind the mystery of Balabantpur.
Ekti Tarar Khonje
Directed by Abhik Mukhopadhyay
Genres Thriller
Actors Biplab Chatterjee, Dhritiman Chatterjee, Shayan Munshi, Dev, Arindam Sil, Arpita Chatterjee
Rating66% 3.3461953.3461953.3461953.3461953.346195
It deals with a small-town boy, who comes to Calcutta to be a film actor, and gets involved in a modern-day thugee cult.
Pagal Premi
Directed by Hara Pattanaik
Genres Romance
Actors Rajesh Sharma, Sabyasachi Mishra, Yash Dasgupta, Arpita Chatterjee, Ritwick Chakraborty, Debjani Chattopadhyay
Roles Gitanjali
Rating69% 3.467263.467263.467263.467263.46726
Surya (Sabyasachi mishra) and Gitanjali (Arpita) are smart college students. Surya falls in love with Gitanjali at first sight. Ajay (Sukanta) is a spoilt brat and is the son of local M.L.A. Abinash (Pradyumna Lenka).Ajay likes Gitanjali and thus proposes to her. When Gitanjali refuses, Ajay threatens that he will jump from the college roof top. Being a meek girl, Gitanjali accepts the proposal and starts dating Ajay.
Pratibad
Pratibad (2001)

Genres Action
Actors Prosenjit Chatterjee, Ranjit Mallick, Arpita Chatterjee, Laboni Sarkar, Deepankar De, Anamika Saha
Roles Jaya
Rating77% 3.885753.885753.885753.885753.88575
Here we find the story of a middle-class family struggling financially. The family consists of two sisters, mother and father. Prosenjit Chatterjee as a Rana is the main and a promising character here. We find him to be a daredevil and a terrific fighter against injustice. Once he was travelling with his pregnant sister in a train, he begged everybody for a seat for his sister to sit, but no one paid heed to it. There were some burglars in the train who started looting but Rana saved it from happening. By this act of his he was given the job of a police officer. In Rana's area of jurisdiction there lived an MLA name Bikas. He was a very corrupt politician and indulged in all illegal activities. There lived another man Azad who fought against injustice everywhere. Now this minister's girl Jaya, fell in love with Rana. Once it so happened that while Rana's sister was about to give birth to her child, this minister, Bikas, tried to kill Rana, but his sister was injured and ultimately died. Then Rana decided to take revenge but was initially not allowed to do so. Ultimately MLA Bikas's real character was revealed and in a serious fighting with Rana MLA Bikas dies.
The Festival, 1h59
Directed by Rituparno Gosh
Actors Madhabi Mukherjee, Mamata Shankar, Prosenjit Chatterjee, Rituparna Sengupta, Deepankar De, Pradip Mukherjee
Roles Shompa
Rating78% 3.925183.925183.925183.925183.92518
This is a family drama which is portrayed on a background of Durgapuja, West Bengal's biggest "Utshob" (Festival). The story is about a cultured Bengali family, different members of which have gathered in native house on the occasion of Durga puja. Bhagbati (Madhabi Mukherjee) has four children; two sons Asit (Pradip Mukherjee),Nishit (Bodhisattva Mazumdar) and two daughters Parul (Mamata Shankar)and Keya (Rituparna Sengupta). It is the festival time and all the children’s are at the main house to celebrate the festival. Meanwhile, Shishir (Dipankar Dey) a relative who is also a big real estate agent is interested in buying the house. Most of the family members want to sell the house. None of the sisters are looking forward to the family reunion as they all are more concerned about their own problems. Furthermore like any large family, every member of the family has his own personal past, skeletons and demons to confront.
Asukh
Asukh (1999)

Directed by Rituparno Gosh
Genres Drama
Actors Soumitra Chatterjee, Debashree Roy, Arpita Chatterjee, Silajit Majumder, Shankar Chakraborty, Aparna Sen
Rating72% 3.6372653.6372653.6372653.6372653.637265
The film is about the schism between a film star daughter, Rohini (Debashree Roy) and her father Sudhamoy (Soumitra Chatterjee), who is unwilling but forced to depend on his daughter's earnings. The narrative revolves around the sudden illness of Rohini's mother (Gouri Ghosh) who has to be hospitalized. No one knows what she is suffering from. The physical illness sets off a chain of events in Rohini's life that includes her relationship with her father.
Tumi Ele Tai
Actors Prosenjit Chatterjee, Rituparna Sengupta, Victor Banerjee, Tapas Paul, Biplab Chatterjee, Arpita Chatterjee

Akash (Prosenjit), a determinate man. Plans set up an advertising agency. We see huge ceremonial accordion when this Akash comes back home during Puja. When he returns to the city, his friend Prabat dutta (Tapas Pal) tells him that he has fallen in lane with a girl named Arundhati (Rituparna Sengupta), to he sends his friend Akash to Arundhati's parents to talk about the marriage of Prabat Dutta & Arundhati. Arundhati on the contrary loves another boy named Nirmalya, when she later discovers fat he will marry here if her father invests the required sum of money demanded by him. Now she becomes terribly helpless, because she also rejected kash's friend Prabat Dutta's proposal of marriage. At pont of time, Akash save him the required love & affection so they felt in love with each other. Before marriage Arundhati's father disclosed a secret of Akash, that Arundhati is not their own child they have adopted her. Accidentally Arundhati comes to know about the fact & she becomes terribly depressed. On the same day Akash's grandfather name to see Arundhati. This fact was bringing kept a secret from his grandfather, but he came to know from their servant Hari Da. After marriage when Akash's family members came to know about the fact, they behaved very badly with her but his grandfather gave her the required love & affection & always supported her. Here, Akash's sister became pregnant & the boy she loved died. After giving birth to the child she also died, Arundhati & Akash adopted the child. This story gives us the lesson that a person’s birth doesn't matter, what matters is his/her behaviour of work.