Ron Cobb is a Actor, Director, Production Designer, Concept Artist and Special Effects American born on 21 september 1937 at Los Angeles (USA)
Ron Cobb
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Nationality USABirth 21 september 1937 at Los Angeles (
USA)
Death 21 september 2020 (at 83 years)
Ron Cobb (born 1937) is an American cartoonist, artist, writer, film designer, and film director.
By the age of 18, with no formal training in graphic illustration, Cobb was working as an animation "inbetweener" artist for Disney Studios in Burbank, California. He progressed to becoming a breakdown artist on the animation feature Sleeping Beauty (1959). (This was the last Disney film to have cels inked by hand.)
After Sleeping Beauty was completed in 1957, Disney laid off Cobb and he spent the next three years in various jobs — mail carrier, assembler in a door factory, sign painter's assistant — until he was drafted in 1960 into the US Army. For the next two years he delivered classified documents around San Francisco, then, after signing up for an extra year to avoid assignment to the infantry, was sent to Vietnam in 1963 as a draughtsman for the Signal Corps. On his discharge, Cobb began freelancing as an artist. He began to contribute to the Los Angeles Free Press in 1965.
Edited and published by Art Kunkin, the Los Angeles Free Press was one of the first of the underground newspapers of the 1960s, noted for its radical politics. Cobb's editorial/political cartoons were a celebrated feature of the Freep, and appeared regularly throughout member newspapers of the Underground Press Syndicate. However, although he was regarded as one of the finest political cartoonists of the mid-1960s to early 1970s, Cobb made very little money from the cartoons and was always looking for work elsewhere.His cartoons were featured in the back to the land magazine "The Mother Earth News."
Among other projects, Cobb designed the cover for Jefferson Airplane's 1967 album, After Bathing at Baxter's. He also contributed design work for the cult film, Dark Star (1973) (he drew the original design for the exterior of the Dark Star spaceship on a Pancake House napkin).
His cartoons from the 1960s and 1970s are collected in RCD-25 (1967) and Mah Fellow Americans (1968) (both Sawyer Press), and Raw Sewage (1971) and My Fellow Americans (1971) (both Price Stern and Sloan). None of these volumes remains in print.
In 1969 Cobb designed the Ecology Flag.
In 1972, Cobb moved to Sydney, Australia, where his work appeared in alternative magazines such as The Digger. Independent publishers Wild & Woolley published a "best of" collection of the earlier cartoon books, The Cobb Book in 1975. A follow-up volume, Cobb Again, appeared in 1978.
In 1981, Colorvision, a large-format, full-colour monograph appeared, including much of his design work for the films Star Wars (1977), Alien (1979), and Conan the Barbarian (1982), the first feature for which he received the credit of Production Designer. Cobb has also contributed production design to the films The Last Starfighter (1984), Leviath, Total Recall (1990), True Lies (1994), The Sixth Day (2000), Cats & Dogs (2001), Southland Tales (2006), and the Australian feature Garbo, which he directed. Cobb contributed the initial story for Night Skies, an earlier, darker version of E.T.. Steven Spielberg offered him the opportunity to direct this scarier sequel to Close Encounters of the Third Kind until problems arose over special effects that required a major rewrite. While Cobb was in Spain working on Conan the Barbarian, Spielberg supervised the rewrite into the more personal E.T. and ended up directing it himself. Cobb later received some net profit participation.
During the early '90s, Ron worked with Rocket Science Games. His designs can be seen most notably in Loadstar: The Legend of Tully Bodine (1994) and The Space Bar (1997), in which he designed all the characters.
Cobb also co-wrote with his wife, Robin Love, one of the (1985–1987) Twilight Zone episodes. Biography
À l'âge de 18 ans, sans formation graphique particulière, il commence à travailler comme intervalliste aux Walt Disney Studios à Burbank (Californie). Il grimpe les échelons et finit par être chargé du découpage du scénario de La Belle au bois dormant (1959).
Licencié par Disney en 1957 après son travail sur La Belle au bois dormant, il pratique divers métiers — facteur, assembleur dans une fabrique de portes, assistant peintre en publicité — avant d'être incorporé dans l'armée américaine en 1960. Pendant deux ans, il livre des documents confidentiels autour de San Francisco. Il décide alors de rempiler pour une année supplémentaire afin d'éviter une affectation dans l'infanterie et est envoyé au Viêt Nam en tant que dessinateur pour le Signal Corps.
À partir de 1965, il collabore au Los Angeles Free Press comme artiste freelance. Édité et publié par Art Kunkin , le Los Angeles Free Press est un des premiers journaux alternatifs des années 1960, connu pour sa ligne éditoriale radicale. Les dessins politiques de Cobb sont parmi les plus célèbres du journal et il participe régulièrement à divers journaux de l'Underground Press Syndicate . Bien que considéré comme l'un des meilleurs dessinateurs politiques des années 1960 et 1970, Cobb ne parvient pas à gagner sa vie avec ses dessins et doit continuer à exercer des petits boulots.
Outre ses dessins de presse, il réalise en 1967 la pochette de l'album After Bathing at Baxter's du groupe Jefferson Airplane et conçoit en 1969 un visuel sur l'écologie en superposant les lettres e (pour environnement) et o (pour organisme). Le symbole, rappelant la lettre grecque thêta, apparaît pour la première fois dans les colonnes du Los Angeles Free Press. Cobb le met ensuite dans le domaine public et le magazine Look l'utilise pour créer le drapeau de l'écologie , sur le modèle du drapeau des États-Unis. À cette époque, il participe aussi au film culte Dark Star (1973) en dessinant les lignes du vaisseau spatial.
En 1972, il s'installe à Sydney, en Australie, avec sa femme Robin Love. Il continue à travailler pour des journaux alternatifs, notamment The Digger .
Best films
(1981)
(Production Artist)
(1990)
(Concept Artist)
(1986)
(Conceptual Design)
(1979)
(Concept Artist)
(1989)
(Conceptual Design)
(1982)
(Production Design) Usually with