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Suggestions of similar film to Adhyayam Onnu Muthal
There are 871 films with the same actors, 55 films with the same director, 61800 with the same cinematographic genres, to have finally
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Adhyayam Onnu Muthal, you will probably like those similar films :
, 2h10
Directed by Sathyan AnthikadGenres DramaActors Mohanlal,
Shobana,
Balan K. Nair,
Kuthiravattam Pappu,
Maniyanpillai Raju,
SreenivasanRating77%
The film revolves around T.P. Balagopalan (Mohanlal), a middle class post-graduate salaried person, who wants to build himself and also needs to take care of his extended family members. The film went over factors influencing Kerala of the 1980s such as widespread unemployment, poverty, and the poor economy.Directed by Sathyan AnthikadGenres Drama,
RomanceActors Mohanlal,
Neelima Azeem,
Jagathy Sreekumar,
Rashin Rahman,
Sukumari,
LissyRating68%
Vinayan comes from a rich family but he cannot stand up for modern lifestyle. His brother spends time dancing at clubs, his sister always listens to the radio, and his parents are always busy. He gets tired of life in the city and moves to a village taking a small job as a village officer. There he falls in love with a village girl but she is just the opposite of Vinayan and she wants to enjoy the luxurious life in a city. Soon they part. Vinayan continues in the village while his wife moves to the city. After a while she understands that her village life was far better and returns to her own village and the couple unites. Directed by Sathyan AnthikadGenres Drama,
ComedyThemes Political filmsActors Sreenivasan,
Jayaram,
Thilakan,
Siddique,
Kaviyoor Ponnnamma,
Oduvil UnnikrishnanRating89%
After his retirement from Indian Railways, as station master, Raghavan Nair (Thilakan) is back at his home. His long cherished dream to spend his retired life along with his family consisting of wife (Kaviyoor Ponnamma), three sons and two daughters gets a blow after seeing his two sons brawling each other over their political differences. Prabhakaran (Sreenivasan), the elder one is a staunch leftist, and an active worker of the Revolutionary Democratic Party (RDP) which has just lost the Kerala state Assembly elections and relinquished office. Prakashan (Jayaram), popularly known as KRP, his younger brother is involved with the Indian National Secular Party (INSP) which has now come to power. Though they are both educated, neither has any plans to earn a living on their own and are fully immersed in petty politics, sponging off their parents for their needs. Raghavan Nair becomes deeply worried about their future, and tries to advise his sons, but of his admonitions fall on deaf ears. Anandan (Mala Aravindan), his son-in-law is a police sub-inspector but is now on suspension. When the RDP was in power, he arrested and beat up several of the opposition party workers on instruction from the ruling party officials. Now that the previous opposition is in power, they exact their revenge, first by transferring him repeatedly to stations as far away from civilisation as is possible, and then by suspending him. As part of his retired life, Raghavan Nair decides to focus his attention on his agricultural activities and meets the new young agricultural officer (Siddique) and, with his wife's approval, wants their younger daughter to get married to him, but his elder sons oppose it on flimsy and petty reasons. Prakashan, whose party is in power, pulls strings and get him transferred immediately to a remote location in order to prevent the marriage but Nair gets them married at the registrar's office. In the meantime, Anandan and his wife, Raghavan Nair's eldest daughter, demand partition of the property and their share, which Raghavan Nair objects to. The last straw is when their mother falls ill and is hospitalised for a day or so, and none of her children bother to show up at the hospital - in particular, the two older sons. Raghavan Nair, when he sees all of them milling around his house on returning from the hospital, loses his temper. He throws out all his children and orders them never to enter his house again. But to his surprise he finds both Prakasan and Prabhakaran at the gate, fully repented. He calls them in and they begin a new life. The film ends by showing Prabhakaran going to court as a lawyer and Prakashan for a job interview. Directed by Sathyan AnthikadGenres Drama,
ComedyThemes Films about sexuality,
LGBT-related films,
Transgender in film,
LGBT-related films,
LGBT-related film,
Cross-dressing in filmActors Mohanlal,
Meera Jasmine,
Bharath Gopi,
Innocent,
K. P. A. C. Lalitha,
Oduvil UnnikrishnanRating65%
Premachandran (Mohanlal) is a carpenter who lives along with his father, Balan Master (Bharath Gopi), and works along with his friend, Manikandan (Innocent). They are now working on a house near the house of a rich landlord. Kanmani (Meera Jasmine), who was sold by her mother, works in that house as a servant and is ill-treated. Seethamma (KPAC Lalitha) lives along with her daughter, Kumari (Muthumani), who has a liking towards Premachandran. One night, Premachandran goes to his workplace to take his tools. He sees Kanmani leaving the house and is puzzled. He follows her. She was on the verge of committing suicide when Premachandran rescues her. He gives her shelter in one room in a building owned by Chettiyar (Oduvil Unnikrishnan), telling Chettiyar that his friend did not get the bus to go back home. Kanmani dresses up as a boy by the name of Velayuthan Kutty and soon starts working with Manikandan and Premachandran. Balan Master starts liking the disguised boy. One day, Premachandran tells Kanmani that he has planned to rescue her by sending her to Tamil Nadu to work in a banian company where Premachandran's friend is working. Kanmani refueses to go. Premachandran accidentally confesses to Manikandan that Velayuthan Kutty is actually the missing Kanmani. Manikandan has no peace and shouts out the truth in the middle of the night. Two policemen, accidentally hear this and take Premachandran and Kanmani into custody. Directed by Sathyan AnthikadGenres Drama,
RomanceActors Mohanlal,
Meera Jasmine,
Innocent,
Mukesh,
Sukanya,
MohiniRating53%
Dr .Murali Krishanan (Mukesh), the most successful dentist in the city is more interested in having female associations, more than often. He hides them from his wife Teresa (Sukanya), even by assigning male names for them in his mobile. One fine day he is in a tight corner with his wife raiding his mobile contacts, and for evading the conflicts associated, he walks out of her life even leaving his daughter Lakshmi (Baby Nivedita) . , 2h30
Directed by Sathyan AnthikadGenres DramaActors Mohanlal,
Sheela,
Padmapriya,
Biju Menon,
Innocent,
K. P. A. C. LalithaRating58%
The story revolves around Ajayan (Mohanlal), who, after having tried his luck in different cities around the world, comes back to his village to look after his ageing mother Ammukutty Amma (Sheela) and to get her love and the nostalgia of his growing up years. There, he starts a company for producing agricultural equipment and earns his living as a farmer. One day a boy comes and meets Ajayan claiming to be his son. Ajayan used to boast himself as a womanizer in his youth is believed to be the boy's father by all villagers. Ammukutty Amma starts getting to like the boy and they form a very friendly relation and eventually she starts accepting the boy as Ajayan's real son, though Ajayan ferociously reject the boy's claim and dislikes him. The boy is persuaded by Ammukkty Amma to get close with Ajayan and subsequent events softens Ajayans attitude towards the boy. Ajayan then set forth to enquire about the real identity of the boy and travels to Chennai. He is absolutely sure that he is not his father as the real truth is his stories about adventures with woman were actually lies to get admiration of his friends. The climax show us that Ajayan accepts the boy as his own son., 2h25
Directed by Sathyan AnthikadGenres DramaActors Mohanlal,
Revathi,
Murali,
Innocent,
Oduvil Unnikrishnan,
ThilakanRating80%
The movie is about a young Keralite who returns to his home state of Kerala after 7 long years of toil in the Gulf. He now plans to settle in his native town, with whatever savings he managed over the years. The movie traces his plight as he ventures to spend the rest of his life running a bus in a state where employee strikeouts are a common day-to-day event. How he finally has to return to the Gulf losing everything, for another coming (welcome) forms the crux of the movie.