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Asli Naqli is a film of genre Drama directed by Hrishikesh Mukherjee with Dev Anand
Asli Naqli (1962)
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Add to a movie listAsli-Naqli (English: Real And Fake) is a 1962 Hindi movie produced by L.B Lachman and L.B Thakur. The film is directed by Hrishikesh Mukherjee and stars Dev Anand, Sadhana Shivdasani, Leela Chitnis, Anwar Hussain, Sandhya Roy and Keshto Mukherjee. The film's music is by Shankar Jaikishan and lyrics by Hasrat Jaipuri. The film became a box office hit.[1]
Synopsis
Anand (Dev Anand) is a spoiled grandson of a rich businessman Rai Bahadur (played by Nazir Hussain). His grandfather wants him to marry Rekha (Sandhya Roy), only daughter and heiress of a rich man despite of Anand's disinterest for her. In the ensuring fight, Anand leaves his house to prove his worthiness and ends up in the streets of Bombay (present day Mumbai). There one person meets Anand and takes Anand to his house in poor neighborhood.Actors
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Suggestions of similar film to Asli Naqli
There are 159 films with the same actors, 39 films with the same director, 67366 with the same cinematographic genres (including 13240 with exactly the same 2 genres than Asli Naqli), to have finally 70 suggestions of similar films.If you liked Asli Naqli, you will probably like those similar films :
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Manorama (Nirupa Roy) comes to Lucknow along with her infant daughter after the death of her husband, searching for her maternal uncle. But when she finds that her uncle sold his house and left, she becomes clueless and has nowhere to go. Moreover, her infant daughter becomes sick due to lack of food and shelter. Desperate to save her, Manorama leaves her at the gate of a wealthy man, Seth Jagatnarayan. Jagatnarayan, having no children for himself decides to adopt her and names her as Sarita. After few days, Manorama comes again as nanny and settles with them. Jagatnarayan moves to Bombay to start a new life and to hide the fact that Sarita wasn't his biological daughter. There they join by his sister and her mentally retarded son Lali.
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Subir (Amitabh Bachchan) is a professional singer whose career is soaring. He does not plan to marry—until he meets Uma (Jaya Bhaduri), a sweet village girl who also sings. Subir falls in love with Uma and marries her. He returns to Mumbai with his new bride. Subir continues as a singer and also fosters Uma's singing career. His career falters, however, just as Uma's singing career begins to thrive. Eventually, she becomes more famous than her husband, sparking jealousy from Subir. His pride and jealousy tear the marriage apart. The question becomes whether Subir can overcome his jealousy.
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Chupke Chupke (1975)
, 2h7Directed by Hrishikesh Mukherjee
Genres Drama, Comedy, Romance
Actors Dharmendra, Sharmila Tagore, Amitabh Bachchan, Jaya Bachchan, Om Prakash, Asrani
Rating82%
Professor Parimal Tripathi (Dharmendra) is a botany professor who falls in love with Sulekha Chaturvedi (Sharmila Tagore) during a women's college botany excursion. Prof. Parimal Tripathi helps the bungalow watchman to get to his village downhill to enable him to see his grandson who's fallen ill. Meanwhile he disguises himself as the bungalow watchman to protect the old man's job. Sulekha finds out one day about the cover-up and is charmed on seeing Parimal's real personality. They both get married. Parimal loves playing pranks and is the antithesis of regular professors. Sulekha, on the other hand is in awe of her jijaji (brother-in-law) Raghavendra (Om Prakash). She considers her jijaji to be highly intellectual and looks upon him as her idol. Parimal develops an inferiority complex thanks to Sulekha's excessive praise of her jijaji and decides to prove that he is in no way a lesser mortal. Jijaji, meanwhile, has written a letter to Haripad bhaiyya (David Abraham Cheulkar) asking him to send a driver who can speak good Hindi because his present driver James D'costa (Keshto Mukherjee) uses improper grammar. This provides the perfect opportunity for Parimal to get to see and interact with jijaji. Parimal becomes Pyaremohan Ilahabadi, a motor-mouth driver who pretends to hate the English language and so speaks only Hindi. So begins the comedy of errors, as Parimal and Sulekha play prank after prank on the unsuspecting jijaji.