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Diary of a Shinjuku Thief is a japonais film of genre Drama directed by Nagisa Ōshima with Kei Satō
Diary of a Shinjuku Thief (1969)
Shinjuku dorobo nikki
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Add to a movie listDiary of a Shinjuku Thief (新宿泥棒日記, Shinjuku Dorobō Nikki) is a 1968 Japanese New Wave film directed by Nagisa Oshima.
Synopsis
The film centers around Birdie, a young Japanese book thief who is caught by a store clerk named Umeko. As their encounters grow increasingly fraught with tension and desire, the two become lovers and begin committing thefts together.Actors
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Suggestions of similar film to Diary of a Shinjuku Thief
There are 30 films with the same actors, 22 films with the same director, 91456 with the same cinematographic genres (including 626 with exactly the same 3 genres than Diary of a Shinjuku Thief), 6889 films with the same themes (including 3827 films with the same 2 themes than Diary of a Shinjuku Thief), to have finally 70 suggestions of similar films.If you liked Diary of a Shinjuku Thief, you will probably like those similar films :
Taboo (1999)
, 1h40Directed by Nagisa Ōshima
Origin Japon
Genres Drama, Thriller, Action, Historical
Themes Seafaring films, Films about sexuality, Sports films, Transport films, LGBT-related films, Martial arts films, Samurai films, LGBT-related films, LGBT-related film
Actors Ryūhei Matsuda, Takeshi Kitano, Tadanobu Asano, Tomorowo Taguchi, Shinji Takeda, Susumu Terajima
Rating67%
At the start of the movie, the young and handsome Kanō Sōzaburō (Ryuhei Matsuda) is admitted to the Shinsengumi, an elite samurai group led by Kondō Isami (Yoichi Sai) that seeks to defend the Tokugawa shogunate against reformist forces. He is a very skilled swordsman, but it is his appearance that makes many of the others in the (strictly male) group, both students and superiors, attracted to him, creating tension within the group of people vying for Kanō's affections.
In the Realm of the Senses (1976)
, 1h42Directed by Nagisa Ōshima
Origin Japon
Genres Drama, Erotic, Thriller, Documentary, Horror, Historical, Romance
Themes Seafaring films, Films about sexuality, Transport films, Bisexuality-related films, Erotic films, BDSM in films, LGBT-related films, Films about prostitution, Erotic thriller films, LGBT-related film
Actors Tatsuya Fuji, Eiko Matsuda, Taiji Tonoyama
Rating65%
In 1936 Tokyo, Sada Abe (Eiko Matsuda) is a former prostitute who now works as a maid in a hotel. The hotel's owner, Kichizo Ishida (Tatsuya Fuji), molests her, and the two begin an intense affair that consists of sexual experiments and various self-indulgences. Ishida leaves his wife to pursue his affair with Sada. Sada becomes increasingly possessive and jealous of Ishida, and Ishida more eager to please her. Their mutual obsession escalates to the point where Ishida finds she is most excited by strangling him during lovemaking, and he is killed in this fashion. Sada then severs his penis, walks around with it inside her for several days, and writes, "Sada Kichi the two of us forever," in blood on his chest.
, 2h3Directed by Nagisa Ōshima
Origin Japon
Genres Drama, War, Historical
Themes Seafaring films, Christmas films, Prison films, Films about sexuality, Transport films, LGBT-related films, Political films, LGBT-related films, LGBT-related film
Actors David Bowie, Tom Conti, Ryūichi Sakamoto, Takeshi Kitano, Jack Thompson, Yūya Uchida
Rating72%
The film deals with the relationships among four men in a Japanese prisoner of war camp during the Second World War — Major Jack Celliers (Bowie), a rebellious New Zealander with a guilty secret from his youth; Captain Yonoi (Sakamoto), the young camp commandant; Lieutenant Colonel John Lawrence (Conti), a British officer who has lived in Japan and speaks Japanese fluently; and Sergeant Hara (Takeshi), who is seemingly brutal and yet humane in some ways and with whom Lawrence develops a peculiar friendship.
Zatoichi's Vengeance (1966)
, 1h23Genres Drama, Action, Adventure
Themes Seafaring films, Sports films, Transport films, Martial arts films, Samurai films, Yakuza films, Films about disabilities, Gangster films
Actors Shintarō Katsu, Jun Hamamura, Mayumi Ogawa, Shigeru Amachi, Kei Satō, Saburo Date
Rating71%
Traveling on the road, Zatoichi (Katsu) encounters a dying man who gives him a bag full of money and the name "Taichi". Traveling on, he makes the acquaintance of a blind biwa-playing priest. The two travel to a town that is having their annual thunder drum festival. The town is under the domination of a Yakuza boss who extorts from the people.
Three Resurrected Drunkards (1968)
, 1h20Directed by Nagisa Ōshima
Origin Japon
Genres Drama, Comedy, Comedy-drama
Themes Films about racism
Actors Kei Satō, Mako Midori, Masao Adachi, Taiji Tonoyama
Rating63%
Trois adolescents japonais sont victimes de déserteurs coréens, qui subtilisent les vêtements des jeunes garçons et les remplacent par leurs uniformes. Au cours de leurs pérégrinations, les trois amis tentent d'échapper à la fois aux déserteurs, aux habitants, ainsi qu'à la police de leur pays. Mais l'un d'entre eux tombe amoureux...
Death by Hanging (1968)
, 1h57Directed by Nagisa Ōshima
Origin Japon
Genres Drama, Comedy, Crime
Themes Prison films, Films about capital punishment
Actors Kei Satō, Nagisa Ōshima, Masao Adachi
Rating74%
A documentary-like opening introduces a death chamber where an execution is about to take place. Inexplicably, the man to be executed, an ethnic Korean known only as R, survives hanging but loses his memory. The officials who witness the hanging debate how to proceed, as the law could be interpreted as forbidding execution of an individual who does not recognize their crime and its punishment.
Kwaidan (1965)
, 3h3Directed by Masaki Kobayashi
Origin Japon
Genres Drama, Fantasy, Horror
Themes Seafaring films, Sports films, Transport films, Martial arts films, Ghost films
Actors Rentarō Mikuni, Keiko Kishi, Takashi Shimura, Michiyo Aratama, Kei Satō, Misako Watanabe
Rating78%
"The Black Hair" (黒髪, Kurokami) was adapted from "The Reconciliation", which appeared in Hearn's collection Shadowings (1900). An impoverished swordsman living in Kyoto divorces his wife, a weaver, for a woman of a wealthy family to attain greater social status. He takes his new wife to his new position as a district governor. However, the swordsman's second marriage proves to be unhappy. His second wife being callous and shallow, the swordsman regrets leaving his more devoted ex-wife.
Onibaba (1964)
, 1h43Directed by Kaneto Shindō
Origin Japon
Genres Drama, Horror
Themes Seafaring films, Sports films, Transport films, Martial arts films
Actors Nobuko Otowa, Kei Satō, Taiji Tonoyama, Jūkichi Uno
Rating78%
The film is set somewhere in Japan, in the mid-fourteenth century (Hachi tells of an attack from general Takauji Ashikaga, who came to power in the 1330s).
Hiroshima (1995)
, 3h10Directed by Roger Spottiswoode, Koreyoshi Kurahara, Hideo Sekigawa
Origin Canada
Genres Drama, Documentary
Themes Environmental films, Seafaring films, Transport films, Aviation films, Documentary films about environmental issues, Documentary films about war, Documentary films about historical events, Documentary films about nuclear technology, Documentary films about technology, Political films, Documentary films about World War II
Actors Eiji Okada, Kenneth Welsh, Ken Jenkins, Yumeji Tsukioka, Tatsuo Matsumura, Wesley Addy
Rating77%
The film opens in April 1945 with the death of Franklin Roosevelt and the succession of Harry Truman to the presidency. In Europe, the Germans are close to surrender, but in the Pacific the bloody battle for Okinawa is still underway and an invasion of the Japanese home islands is not foreseen until the autumn. American battle casualties have almost reached 900,000, with Japanese casualties at 1.1 million, and some 8 million Asian civilians have died in the war that began with Japan's invasion of Manchuria in 1931.
Day Dream (1981)
Directed by Tetsuji Takechi
Genres Drama, Fantasy, Horror, Pornographic
Themes Seafaring films, Films about sexuality, Transport films, Erotic films
Actors Kyōko Aizome, Kei Satō, Taiji Tonoyama
Rating48%
Loosely based opsis based on Weisser, p. 102.