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Life, and Nothing More… is a iranien film of genre Drama directed by Abbas Kiarostami released in USA on 26 september 1992
Life, and Nothing More… (1992)
زندگی و دیگر هیچ
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Add to a movie listLife, and Nothing More... (Persian: زندگی و دیگر هیچ Zendegi va digar hich) is a 1992 Iranian film directed by Abbas Kiarostami. It was screened in the Un Certain Regard section at the 1992 Cannes Film Festival. It is considered the second film in Kiarostami's Koker trilogy.
After the 1990 earthquake in Iran that killed over 30,000 people, Kiarostami went to search for the stars of his previous film Where is My Friend's House?. This film is a semi-fictional work based on these events, shot in a documentary-style. It shows a director (played by Farhad Kheradmand) on this journey through the country in the aftermath of the earthquake.
Synopsis
A film director and his son start a journey towards Koker, where approximately half of Where is My Friend's House? took place. During the first half, they search for a highway to the village, as most of the roads have been damaged or blocked by a severe earthquake two years prior; meanwhile, the two cross paths with several locals (who were also witnesses of the earthquake) and often ask directions.Comments
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Suggestions of similar film to Life, and Nothing More…
There are 37 films with the same director, 67990 with the same cinematographic genres (including 3856 with exactly the same 2 genres than Life, and Nothing More…), 3885 films with the same themes (including 0 films with the same 3 themes than Life, and Nothing More…), to have finally 70 suggestions of similar films.If you liked Life, and Nothing More…, you will probably like those similar films :
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, 1h43Directed by Abbas Kiarostami
Origin Iran
Genres Drama, Comedy-drama
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Actors Mohammad-Ali Keshavarz, Hossein Jafarian, Jafar Panahi, Abbas Kiarostami
Rating76%
Hossein Rezai plays a local stonemason-turned-actor. Outside the set of a film in which he is acting, he makes a marriage proposal to his leading lady, a student named Tahereh, who was orphaned by an earthquake. Because he is poor and illiterate, the girl's family finds his offer insulting; the girl avoids him as a result. She continues evading him even when they are filming, as she seems to have trouble grasping the difference between her role in the film and her real-life self. The fictional couple takes part in what would be the filming of Life, and Nothing More....
Shirin (2008)
, 1h32Directed by Abbas Kiarostami
Origin Iran
Genres Drama, War, Documentary, Historical
Themes Films about films, Documentary films about the film industry, Documentary films about films
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Cent-quatorze spectateurs, essentiellement féminins, assistent à la projection de l'adaptation cinématographique d'un classique de la littérature perse du XII siècle. Ces spectateurs s'émeuvent de l'histoire d'amour qui se déroulent sous leurs yeux : le film n'apparaît dans la mise en abyme qu'à travers sa bande son et les réactions du public. Néanmoins, le réalisateur trompe le spectateur puisque les actrices n'assistent pas réellement à une représentation filmique.
10 on Ten (2004)
, 1h28Directed by Abbas Kiarostami
Origin Iran
Genres Documentary
Themes Films about films, Documentary films about business, Documentary films about the film industry, Documentary films about films
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Rating66%
Abbas Kiarostami reprend le dispositif de son film Ten sorti en 2002 : une voiture circulait dans les rues de Téhéran, avec deux caméras fixées sur le tableau de bord, une filmant la conductrice et l'autre filmant le passager. Dans 10 on Ten, une seule caméra filme le conducteur qui se trouve être Kiarostami lui-même. En roulant au travers de la campagne iranienne, il évoque devant le spectateur la réalisation de Ten. Ceci est le point de départ d'une réflexion plus générale sur le processus de création du réalisateur, son rapport au documentaire, au sujet filmé, aux caméras numériques et à l'industrie du cinéma.
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The Traveler (1992)
, 1h10Directed by Abbas Kiarostami
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Genres Drama, Comedy-drama
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Rating74%
Qassem Julayi (Ghāsem Jolā'i), played by Hassan Darabi, is a football-obsessed 12-year-old in the small city of Malayer, who would rather compete in the alley of his impoverished neighborhood after school than do his homework. His illiterate mother constantly berates him, but Qassem has long since learned to invent excuses for his poor school performance. In one early scene, we see him arriving late to school after going out of his way to purchase a football fan magazine. He appears with a bandage around his head, feigning a toothache. A few moments later, Qassam's skeptical teacher spots the magazine and snatches it away (only to start reading it himself). The boy resolves to travel by himself to Tehran, a 150-mile bus ride away, to attend an important game. Bus fare, however, is 10 tomans. The penniless Qassem pilfers 5 tomans that his mother has hidden, but the next day she discovers the theft and promptly reports it to the school principal, who not only berates her for raising a "monster" but canes Qassem's hands for refusing to admit guilt. That afternoon, Qassem and his friend Akbar roam the storefront vendors, attempting to sell small items to raise funds, but find no takers. The friend suggests selling an uncle's old box camera, but Qassem rejects one offer and instead hatches the scheme of pretending to take pictures of younger kids after school, collecting 5 rials for each "sitting." In a famous sequence, he issues directions to his "subjects" while snapping photo after photo with the empty camera. Onscreen, we see a succession of children posing for portraits that will never materialize. Still lacking sufficient cash, Qassem resolves to sell his team's soccer ball and goals, even though they are group property. Finally he has collected enough for his journey.
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, 2hDirected by Abbas Kiarostami
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Genres Drama, Documentary
Rating67%
Le film est constitué de 24 plans fixes, souvent en noir et blanc, mettant en scène des animaux sauvages ou domestiques : oiseaux, loups, cerfs, vaches, moutons, chevaux... La première séquence est une animation numérique du tableau de Brueghel l’Ancien, Chasseurs dans la neige.
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, 1h14Directed by Abbas Kiarostami
Origin Iran
Genres Drama, Documentary
Actors Jafar Panahi
Rating64%
The film consists of five long takes set by the ocean. As in a typical Ozu film, the camera never moves, zooms or pans. There is no dialogue, and only one shot includes people.
Lumière & Company (1995)
, 1h28Directed by Gabriel Axel, Cédric Klapisch, Patrice Leconte, Claude Lelouch, Abbas Kiarostami, Andreï Kontchalovski, Youssef Chahine, Liv Ullmann, Wim Wenders, Costa-Gavras, Jacques Rivette, Theo Angelopoulos, Alain Corneau, Michael Haneke, Claude Miller, John Boorman, David Lynch, Francis Girod, Merzak Allouache, James Ivory, Spike Lee, Arthur Penn, Jerry Schatzberg, Jaco Van Dormael, Peter Greenaway, Gaston Kaboré, Idrissa Ouédraogo, Bigas Luna, Zhang Yimou, Régis Wargnier, Yoshishige Yoshida, Lucian Pintilie, Lasse Hallström, Helma Sanders-Brahms, Nadine Trintignant, Raymond Depardon, Vicente Aranda, Fernando Trueba, Ismail Merchant, Hugh Hudson
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Close-Up (1990)
, 1h34Directed by Abbas Kiarostami
Origin Iran
Genres Drama, Documentary, Crime
Themes L'usurpation d'identité, Escroquerie
Actors Mohsen Makhmalbaf, Abbas Kiarostami, Abolfazl Ahankhah
Rating81%
Hossain Sabzian is a cinephile, and in particular a big fan of popular Iranian director Mohsen Makhmalbaf. One day, Sabzian is riding a bus with a copy of the novel The Cyclist; Mrs. Ahankhah sits next to him, revealing she is a fan of the novel's film adaptation. Sabzian tells her that he himself is Makhmalbaf, the maker. She is then surprised that a famous director would ride public transportation; Sabzian explains in response (posing as Makhmalbaf) that he finds his film subjects this way, telling her that art must spring from life. Posing as Makhmalbaf from this point on, Sabzian visits the Ahankhah family several times over the next two weeks. He flatters them by saying he wants to use not only their house in his next film, but also their sons as actors in it. He even obtains a substantial amount of money from them (ostensibly to prepare for the film). Mr. Ahankhah has his suspicions, however, especially when a magazine photo shows a younger Makhmalbaf with darker hair than that of Sabzian. He invites a journalist (Hossain Farazmand) over, who confirms Sabzian is indeed an impostor. The police come to arrest Sabzian, while Farazmand takes several pictures for his upcoming article: "Bogus Makhmalbaf Arrested." Kiarostami intersperses these scenes throughout the film, in which the events described above do not progress chronologically; they are re-enactments.