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Viswa Mohini is a film directed by Yaragudipati Varada Rao with Chittor V. Nagaiah
Viswa Mohini (1940)
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Add to a movie listLength 3h15
Directed by Yaragudipati Varada Rao
Viswa Mohini (Telugu:విశ్వమోహిని) is a 1940 Telugu, romance film directed by Y. V. Rao. The film written by Balijepalli Lakshmikanta Kavi is touted to be the first film on the Indian motion picture world.
Synopsis
Purushottam (Y.V. Rao) embezzles money from a firm of brokers owned by Padmanabham in order to get his son Mohan Rao married to Hemalatha, daughter of the millionaire Visalakshamma (B Rajaratnam). The now impoverished Padmanabham partially gets his own revenge when his daughter Sushila (Lalitha Devi) becomes a film star Viswa Mohini.Actors
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Suggestions of similar film to Viswa Mohini
There are 88 films with the same actors, 3 films with the same director, to have finally 70 suggestions of similar films.If you liked Viswa Mohini, you will probably like those similar films :
Sati Sulochana (1934)
, 2h53Directed by Yaragudipati Varada Rao
Actors Yaragudipati Varada Rao, M. V. Subbaiah Naidu, R. Nagendra Rao
Rating65%
Sati Sulochana is based on the character Sulochana from the Ramayana. She is the wife of Indrajit and the daughter-in-law of Ravana, the demon-king in Ramayana. The film tries to portray the goings on of the war between the Hindu god Rama and Ravana as seen from the point of view of Sulochana. Ravana abducts Rama's wife Sita to his kingdom of Lanka, drawing Rama into a war. In the course of the war, Rama's brother Lakshman is knocked unconscious by an arrow from Indrajit and is revived by a medicinal herb called Sanjeevani. The revived Lakshman kills Indrajit and makes Sulochana a widow. Ravana's defeat by Lord Rama and the killing of Indrajit is viewed through the eyes of Sulochana. Unable to bear the pain of husband's death, Sulochana commits sati sacrifice.
Chintamani (1937)
, 3h35Directed by Yaragudipati Varada Rao
Genres Biography
Actors M. K. Thyagaraja Bhagavathar, Yaragudipati Varada Rao
Chintamani was based on the legendary story of a Sanskrit poet and devotee of Lord Krishna named Bilwamangal (M. K. Thyragaraja Bhagavathar). Bilwamangal, a resident of Varanasi, was a Sanskrit scholar, who gets infatuated towards a courtesan called Chintamani (Aswathamma), a woman of ill-fame. As a result, he deserts his wife. However, Chintamani is an ardent devotee of Lord Krishna (Serugalathur Sama) and spends most of her time singing bhajans in praise of Lord Krishna. His attraction towards Chintamani eventually draws Bilwamangal closer towards Lord Krishna and transforms his life forever. Bilwangal, himself, becomes a devotee of Lord Krishna and pens a monumental Sanskrit work Sri Krishna Karnamritam.
Captain Nagarjuna (1986)
, 1h50Directed by Yaragudipati Varada Rao
Actors G. Varalakshmi, Akkineni Nagarjuna, Kushboo Sundar
Amarashilpi Jakanachari (1962)
Directed by B.S. Ranga
Actors Kalyan Kumar, B. Saroja Devi, Udaykumar, Chittor V. Nagaiah, T. R. Narasimharaju, Pushpavalli
Rating28%
Anarkali (1955)
Genres Historical, Romance
Themes Political films
Actors Akkineni Nageswara Rao, Anjali Devi, Samarla Venkata Ranga Rao, Pasupuleti Kannamba, Chittor V. Nagaiah, Peketi Sivaram
Rating66%
Sharfunissa alias Nadira is a dancer in the Emperor’s court. She is bestowed the name Anarkali meaning pomegranate blossom, on account of her dazzling beauty. Prince Salim is smitten by her and they fall in love. Learning that his son has fallen for a lowly courtesan, Akbar is furious and warns them to stay away from each other. Howeverlove has never bowed to convention or authority. Events move to a tragic climax where Akbar sentences Anaarkali to death. She is entombed alive before Salim could reach her.
Amara Deepam (1956)
, 2h42Directed by Tatineni Prakash Rao
Genres Drama
Actors Sivaji Ganesan, Kommareddy Savitri, Padmini Ramachandran, M. N. Nambiar, Chittor V. Nagaiah, Thangavelu
Rating54%
An educated unemployed person Ashok (Sivaji Ganesan) falls in love with the daughter Aruna (Savitri) of a wealthy Industrialist.
Muddu Bidda (1956)
Directed by K. B. Tilak
Actors Jamuna, Kongara Jaggaiah, Chittor V. Nagaiah, G. Varalakshmi, C. Lakshmi Rajyam, Ramana Reddy
Pennin Perumai (1956)
Directed by P. Pullaiah
Genres Drama
Actors Sivaji Ganesan, Gemini Ganesan, Kommareddy Savitri, Chittor V. Nagaiah, P. Santha Kumari, M. N. Rajam
Based on the story Swayam Siddha by Manilal Benerjee. Padma (Savitri) is forced to marry a mentally retarded man Raghu (Gemini) whom she eventually nurses back to health while teaching a lesson to her scheming mother-in-law (Santha Kumari) and brother-in-law Nagu (Sivaji Ganesan).
Tenali Ramakrishna (1956)
Directed by B.S. Ranga
Genres Drama, Biography, Comedy, Historical
Actors Akkineni Nageswara Rao, Sivaji Ganesan, Jamuna, Chittor V. Nagaiah, Bhanumati Ramakrishna, Mikkilineni
Rating76%
The Deccan Sultans of Berar, Ahmednagar, Bidar, Bijapur and Golconda who the splinters from the erstwhile Bahmani Sultnate now unite with the common purpose to defeat of Krishnadeva Raya and the conquest of the prosperous Vijayanagaram. They send their stooge Kanakaraj to assassinate Krishnadeva Raya, but Kanakaraj fails in his mission and is put to death.
Ambikapathy (1957)
, 2h29Genres Historical
Actors Sivaji Ganesan, Bhanumati Ramakrishna, Anjali Devi, Chittor V. Nagaiah, M. N. Nambiar, Rajasulochana
Rating62%
This story, passed on through centuries through traditional verse and folklore, dates back to the early 12th century during the reign of Kulothunga Chola I. The movie version of the story is this: Kambar, the kavichakravarthi whose name in enshrined forever as the author of Ramavatharam, the Tamil version of Ramayana, is a poet in Kulothunga’s court in Urayur. Despite his erudite scholarship, deep learning of Sanskrit and Tamil and extraordinary poetic skills, Kamban remains a humble, unassuming, deeply pious man, and a loyal subject of the King. All this earns Kamban a special place in the heart of Kulothunga who treats him with utmost deference and affection. Ottakoothar is another great poet in the King’s court, and Kamban’s ascent in the firmament and the King’s unabashed admiration for Kamban’s poetry has Ottakoothar simmering in jealousy.