Dans une salle de danse, un imposant clarinettiste est furieux de voir sa belle courtisée par un autre musicien et lui demande des explications. Charlot observe de loin et se garde bien de s'en mêler mais lorsque les deux musiciens repartent jouer dans l'orchestre, il en profite pour faire sa cour à la belle…
L'harmonie d'un foyer de bourgeois modestes est compromise par un héritage boursier. La fillette, délaissée par sa mère devenue femme du monde à la suite de l'enrichissement subit de son mari, détruit les invitations pour un bal que ses parents donnent pour se lancer dans la haute société. Personne ne vient au bal, mais l'avenir va conserver toute la saveur du passé. Ce film est une adaptation du roman Le Bal d'Irène Némirovsky.
Estrella, une jeune fille marchande de poissons de Cadix, devient danseuse après avoir été remarquée par Ramon, propriétaire de la Maison de danses. Elle suscite la jalousie des hommes, certains en viendront même à s’entre-tuer pendant qu'elle s'enfuit avec son petit ami Luisito...
Set in Boston the in 1820s, the film tells of dancing teacher Jonathan Pride, shanghaied by pirates and forced to be a slave aboard his own ship. Jonathan is able to join a provisioning party that lands on the coast of California, then a part of the Spanish Empire where he makes his escape; his only possessions being his umbrella and music box that he uses for his dancing lessons.
The plot follows ski instructor Lili Heiser (Henie), who works at a local luxury hotel in the Swiss Alps. She falls in love with a man who goes skiing every morning (Power). She thinks he's an everyday tourist, not knowing that he's actually a prince trying to escape the pressures of royal life.
Good friends Judy and Bubbles are both dancers. Bubbles uses her good looks and being a sex siren to get jobs, and becomes successful in burlesque, while Judy is an elegant ballerina who struggles to make a living as a dancer. A rivalry develops when they both fall in love with a divorced playboy.
A crippled puppeteer, Ivan Tsarakov (Barrymore), is frustrated that he will never dance ballet. He adopts a protegé, Fedor Ivanoff (Cook), whom he makes into the greatest dancer in the world. Fedor falls in love with a dancer, Nana Carlova (Marsh), but Tsarakov fears that she will ruin Fedor as a dancer. He tries to separate them and ultimately fires Nana from the ballet troupe. Fedor runs away with Nana to Paris, but Tsarakov has blacklisted him, and he cannot get ballet jobs and is reduced to working in a cabaret. Nana begs Tsarakov to give Fedor his job back. Tsarakov agrees, if Nana will leave Fedor and marry another man; she agrees. Fedor returns embittered; he sees Nana on opening night and realizes that she still loves him; he refuses to dance. Tsarakov threatens to kill him, but the ballet master, under the influence of drugs that Tsarakov has given him, kills Tsarakov. Fedor is reunited with Nana.
A beautiful streetwise taxi dancer named Barbara O'Neill (Barbara Stanwyck) works at a New York City dance hall called Palais de Dance. One of the dance hall's wealthy patrons, Bradley Carlton (Ricardo Cortez), comes to the hall and gives Barbara $100. Concerned about her unemployed friend and neighbor Eddie Miller (Monroe Owsley), Barbara asks Bradley to give him a job, and he agrees. That night they have dinner together.
Life has become a series of headaches and bad dreams for Liza Elliott, the successful editor-in-chief of Allure fashion magazine. She is being romanced by publisher Kendall Nesbitt, but he is married and slow in obtaining a divorce. And her second-in-command, Charley Johnson, is a cut-up who drives her so crazy with his jokes, Liza ends up seeing him in her craziest dreams at night.
Le film se présente comme une séance dans une salle de spectacle. Il se compose de dix séquences nommées différemment lors de leurs rééditions en dehors du long métrage :
Une famille traverse une crise qui menace son existence. La mère, Namiko, est une ancienne ballerine courtisée par deux hommes. L'un d'eux est son ancien manager qui la harcèle sans ménagement alors que le second, Takehara, attend depuis vingt ans qu'elle quitte son mari. Ce dernier est un anthropologue, en apparence distant mais conscient des tiraillements sentimentaux de son épouse. Leurs deux enfants souffrent de cette situation. Le garçon Takao semble plutôt soutenir son père quand la fille, Shinako, se destine à la même voie que sa mère...
Set in 1890s Paris, Henri Danglard is the owner of a cafe, which features his mistress, Lola, as a belly dancer. Losing money, Henri finds himself in Montmartre and finds that the old-fashioned can-can is still being performed there. Inspired, Henri comes up with a new business scheme that aims to revive the can-can, featuring a new dancer, Nini, a laundress he meets by chance.
Johnny Brett (Fred Astaire) and King Shaw (George Murphy) are a dance team so down on their luck they're working in a dance hall for no money. Meanwhile, Clare Bennett (Eleanor Powell) is a big Broadway star. Owing to a case of mistaken identity, Shaw is offered the chance to be Clare's dancing partner in a new Broadway show, while it was really Johnny's dancing that producer Bob Casey (Frank Morgan) saw and wanted. The partnership breaks up, but Johnny sticks around to help out Shaw, who lets his newfound success go to his head. Clare eventually realizes that Johnny, and not Shaw, is the better dancer, and she falls in love after having lunch with him. When Shaw gets drunk on opening night, Johnny steps in and saves the show with a brilliant performance, though he lets King think he did it himself. Clare later tells Shaw the truth. Just before the next show, Clare discovers Shaw drunk and Johnny becomes the permanent replacement. After the show, they find out that King was pretending to be drunk so that Johnny would get the job.
Danny O'Neill (Fred Astaire), and Hank Taylor (Burgess Meredith) are friends and rival trumpeters, with "O'Neill's Perennials", a college band. Both of them have managed to prolong their college career by failing seven years in a row. At a performance, Ellen Miller (Paulette Goddard) catches Danny and Hank's eye. She serves them a collection notice for her boss, a debt collector, but the fast talking O'Neill and Taylor soon have her working for them as their manager.
Devant famille et amis, la jeune ballerine Nicole fait ses débuts sur la scène du théâtre de sa petite ville française. Mais un homme dans la salle dérange le spectacle, et Nicole, troublée, danse mal. Le perturbateur est un jeune et séduisant malfaiteur, Loulou, que la police surveille. Après le spectacle, il vient offrir des fleurs à Nicole et lui donne un rendez-vous nocturne. Chez elle, la ballerine, en pensant à ce rendez-vous, s'endort et se met à rêver. Dans un premier rêve, elle connait le succès à l'Opéra, mais Loulou la trahit, et elle est désespérée. Elle rêve ensuite qu'elle épouse un riche bijoutier qu'elle n'aime pas, prend Loulou pour amant et tout se termine mal. Dans un troisième rêve, elle épouse Loulou et connait le bonheur. Elle se réveille pour courir à son rendez-vous, mais elle arrive pour voir Loulou arrêté par la police. Le soir suivant, au théâtre, lors de sa deuxième représentation, riche de ce qu'elle a vécu et rêvé la nuit précédente, elle est acclamée par le public.