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Eeshwar is a film of genre Drama directed by K. Viswanath with Anil Kapoor
Eeshwar (1989)
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Add to a movie listEeshwar is an Indian film directed by K. Vishwanath and Rajesh Malik and released in 1989. The movie stars Anil Kapoor, Vijayshanti, Saeed Jaffrey and Sadashiv Amrapurkar. The film is a remake of the Telugu film Swathi Muthyam which starred Kamal Haasan and Raadhika.
Actors
Anil Kapoor
(Ishwarchand Vishnuchand Brahmanand Verma 'Ishwar')
Saeed Jaffrey
(Masterji (Guest Appearance))
Sukanya
Asha Sachdev
(Village Washerwoman)
Sadashiv Amarapurkar
(Tolaram)
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Suggestions of similar film to Eeshwar
There are 237 films with the same actors, 39 films with the same director, 61667 with the same cinematographic genres, to have finally 70 suggestions of similar films.If you liked Eeshwar, you will probably like those similar films :
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Actors Shobhan Babu, Vanisri, Nagabhushanam, Sharada
Rating72%
Shobhan Babu is a struggling poet. Because of his dark complexion, publishers are unwilling to publish his poetry. Nagabushanam is his friend, and a small time con-artist. He agrees to support Shobhan Babu. Shobhan Babu starts to publish his poems in Nagabushanam's name. He agrees to do this as he needs money to marry his sister.
The Man has Awoken (1984)
, 2h15Directed by K. Viswanath
Genres Drama, Action, Romance
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In the film, Sandhya - a Brahmin dancer - i.e. Sridevi falls in love with Hari (Mithun Chakraorty), a Dalit. She visits her maternal grandfather - who is a staunch Hindu pundit - accompanied by her father and Hari, to perform at the village temple, where her grandfather is the head-priest. There, the grandfather decides to get Sandhya married to his adopted grandson Nandu (Rakesh Roshan), who is also a priest at the temple, but with a broader mind. Hari, citing the apparent caste difference, urges Sandhya to marry Nandu.
Sagara Sangamam (1983)
, 2h40Directed by K. Viswanath
Genres Drama, Musical
Themes Dance films, Musical films
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Rating87%
Balakrishna (Kamal Haasan) is an economically disadvantaged but multi-talented dancer, adept at the Indian classical dances of Kuchipudi, Bharatanatyam, Kathak, etc. Fondly called Balu, his simple and honest soul does not permit him to attain professional success in the commercial world that requires a certain level of moral laxness. Madhavi (Jayaprada), a wealthy young woman and a dance patron, notices his talent and acts as his benefactress, helping him secure an opportunity to participate in a high-level classical dance festival.
Subhalekha (1982)
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Actors Sumalatha, Kaikala Satyanarayana, J. V. Ramana Murthi, Tulasi, 'Subhalekha' Sudhakar, Nirmalamma
Rating77%
Narasimha Murti (Chiranjeevi) is a multi-talented person who works as a waiter in a star hotel (filming location: Dolphin Hotel, Visakhapatnam) since he is unable to pass his B.A. exams. He meets Sujata (Sumalata), a lecturer who works in a college run by councillor Ankela Adiseshayya (Kaikala Satyanarayana). Mohan (Girish), who is an engineer and elder son of Adiseshayya, comes to Sujatha's place with his father for a marriage proposal. During this Sujata stands up and has an argument with Adiseshayya when the latter demands exorbitant amounts as dowry. This creates a rift between Sujata and her parents who fear that this act of Sujata might ostracize them from society. Adiseshayya also dismisses Sujata from her job.
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Genres Drama
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Rating88%
The film begins with an introduction by Viswanath in the form of a Sanskrit Subhashita शिशुर्वेत्ति पशुर्वेत्ति वेत्ति गानरसं फणिः (Music is enjoyed equally well by babies, animals and even snakes). We hope you appreciate our effort in bringing you the 'Jeeva Dhara' (Lifestream) of Indian classical music."
Sanjog (1985)
Directed by K. Viswanath
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Rating69%
Bombay-bred Narain goes to a village, where he meets and falls in love with a village belle, Yashodra. She also is attracted to him, and both get married. After their marriage, both go to live with Narain's parents, brother, and sister-in-law, Lalita, and her son, Sonu. Yashodra gets close to Sonu, and starts to spend all her time with him. This raises some concerns with Lalita, which results in some acrimony. Tragically, Sonu passes away, leaving Yashodra devastated and depressed. She gets pregnant and gives birth to a baby girl, but cannot get Sonu out of her mind. Her depression gives way to insanity, as she keeps on seeing Sonu in every child, and as a result she is institutionalized. Narain has taken to alcohol in a big way and drowns his sorrows and frustrations day and night in a drunken stupor. As a result, his daughter is adopted by Lalita and his brother, without knowing who her real parents are. Years pass by, her daughter, Asha, has grown up and is herself a mother of a baby boy, and settled in the U.S.. Asha arrives in India for a visit and the entire family assembles to visit Yashodra. They find her holding a piece of log, covered in a blanket, singing to it as if it where Sonu. It is here that Asha finds out who her real parents are, and it is here that she will be called upon to make the ultimate sacrifice.
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Directed by K. Viswanath
Genres Drama
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Rating62%
Neramu Siksha (1973)
Directed by K. Viswanath
Genres Drama
Actors Krishna, G. Varalakshmi, Bharathi Vishnuvardhan, Chandrakala, M. Balayya, Pandari Bai
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Krishna is son of a rich businessman couple (Kanta Rao and Pandari Bai). Bharathi is also a daughter of another rich man (Rao Gopal Rao). Krishna is grown up without knowing or facing any problems and gets a new car. While driving in competition with his friend Satyam (Satyanarayana), he accidentally kills Balaiah's brother and blinds Balaiah. Somehow this incident comes to the knowledge of Kanta Rao and he confronts Krishna and throws him out of house. Krishna then ends up as one of the servants at Rao Gopal Rao's home. He also gets to know Balaiah and his family. He realizes the intensity of his mistake and vows to make Balaiah and his family's life better. Balaiah on the other hand vows to kill the person responsible for his brother's death and his blindness. Knowing about his fate in the hands of Balaiah, Krishna keeps helping them. Finally, Balaiah learns about Krishna and excuses him.