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Street of Shame is a japonais film of genre Drama directed by Yasuzō Masumura with Machiko Kyō
Street of Shame (1956)
Akasen chitai
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Add to a movie listStreet of Shame (赤線地帯, Akasen chitai) is a 1956 black-and-white Japanese film directed by Kenji Mizoguchi. It is the personal tales of several Japanese women of different backgrounds who work together in a brothel. It was Mizoguchi's last film.
The film is based on the novel Susaki no Onna by Yoshiko Shibaki.
Synopsis
Five female sex workers are employed at Dreamland, a licensed brothel near the Sensōji（浅草寺）Temple in Tokyo's Yoshiwara district. As the Diet considers a ban on prostitution, the women's daily dramas play out. Each has dreams and motivations. Hanae is married, her husband unemployed; they have a young child. Yumeko, a widow, uses her earnings to raise and support her son, who's now old enough to work and care for her. The aging Yorie has a man who wants to marry her. Yasumi saves money diligently to pay her debt and get out; she also has a suitor who wants to marry her, but she has other plans for him. Mickey seems the most devil-may-care, until her father comes from Kobe to bring her news of her family and ask her to come home.Actors
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Suggestions of similar film to Street of Shame
There are 95 films with the same actors, 50 films with the same director, 61839 with the same cinematographic genres, 7308 films with the same themes (including 449 films with the same 4 themes than Street of Shame), to have finally 70 suggestions of similar films.If you liked Street of Shame, you will probably like those similar films :
Women of the Night (1948)
, 1h15Directed by Kenji Mizoguchi
Origin Japon
Genres Drama, Thriller, Romance
Themes Films about sexuality, Erotic films, Films about prostitution, Erotic thriller films
Actors Kinuyo Tanaka, Kumeko Urabe, Sanae Takasugi, Sadako Sawamura
Rating71%
Osaka. Fusako Owada, une veuve de guerre, ayant perdu son bébé tuberculeux, rencontre par hasard sa sœur Natsuko, qui, jusque-là, vivait en Corée. Celle-ci lui apprend le décès de leurs parents, victimes de malnutrition. Entraîneuse de cabaret, Natsuko s'installe chez Fusako qui travaille comme secrétaire chez un patron du marché noir. Fusako est également la maîtresse de celui-ci. Mais, un jour, fuyant une perquisition policière, elle le surprend, chez elle, en compagnie de sa sœur. Terriblement déçue, elle choisit alors de se prostituer. La fille de ses amis, Kumiko, est volée par un faux-étudiant, dépouillée par des filles de joie "pillardes". Fusako échoue bientôt à l'hôpital où sa sœur, partie à sa recherche, finira par la retrouver. Natsuko est enceinte et, tout comme sa sœur, atteinte de la syphilis.
The Woman in the Rumor (1954)
, 1h24Directed by Kenji Mizoguchi
Origin Japon
Genres Drama, Romance
Themes Films about sexuality, Erotic films, Films about prostitution, Erotic thriller films
Actors Kinuyo Tanaka, Yoshiko Kuga, Eitarō Shindō, Haruo Tanaka, Chieko Naniwa, Saburo Date
Rating73%
Hatsuko dirige une maison de geisha à Kyoto, elle est veuve. Sa fille Yukiko revient de Tokyo après une tentative de suicide, quand son amant l'a abandonné. Hatsuko est la maîtresse du jeune docteur Matoba, qui s'occupe des geishas de la maison. Le médecin est attiré par Yukiko, qui d'abord le méprise, comme tout ce qui concerne la maison des courtisanes de haut-rang (太夫, tayū) et geisha. Mais Yukiko change d'attitude ; sans le savoir, les deux femmes aiment le même homme.
The Life of Oharu (1952)
, 2h28Directed by Kenji Mizoguchi
Origin Japon
Genres Drama
Themes Seafaring films, Films about sexuality, Sports films, Transport films, Erotic films, Films about prostitution, Martial arts films, Erotic thriller films
Actors Kinuyo Tanaka, Ichirō Sugai (菅井一郎), Toshiro Mifune, Takashi Shimura, Chieko Higashiyama, Jūkichi Uno
Rating80%
The story opens on Oharu as an old woman in a temple flashing back through the events of her life. It begins with her love affair with a page, Katsunosuke (Toshirō Mifune), the result of which (due to their class difference) is his execution and her family's banishment. Oharu attempts suicide but fails and is sold to be the mistress of Lord Matsudaira with the hope she will bear him a son. She does, but then is sent home with minimal compensation to the dismay of her father, who has worked up quite a debt in the meantime. He sends her to be a courtesan, but there, too, she fails and is again sent home. She goes to serve the family of a woman who must hide the fact that she is bald from her husband. The woman becomes jealous of Oharu and makes her chop off her hair, but Oharu retaliates, revealing the woman's secret. She again must leave—this time she marries a fan maker who is killed shortly after during a robbery. She attempts to become a nun, but Oharu is thrown out after being caught naked with a man seeking reimbursement for an unauthorized gift (it is made clear this is rape by Oharu's claims and distraught demeanor). She is thrown out of the temple, becomes a prostitute, but fails even at that. In the end, she is recalled to the Lord's house in order to keep secret her activities and to be exiled within the compounds to keep her secrets locked away. While being scolded for the life she chose, she attempts to find her son, and in the process, ends up running away as she chooses the life of a beggar over the life in exile.
Sisters of the Gion (1936)
, 1h36Directed by Kenji Mizoguchi
Origin Japon
Genres Drama
Themes Seafaring films, Films about sexuality, Transport films, Erotic films, Films about prostitution, Erotic thriller films
Actors Isuzu Yamada, Yōko Umemura, Eitarō Shindō
Rating73%
The story centers around two sisters (Umekichi and Omocha), who are geisha, living in an okiya of their own in the licensed pleasure district of Gion, Kyoto. The two women have very different outlooks on relationships with men. Umekichi, the elder sister, is the ideal geisha; she grew up going to dance and music lessons, wears kimono, and has a strong sense of giri, or loyalty, to her patron. Umekichi’s younger sister, Omocha, was educated in public schools and wears western clothing, except when she is working as a geisha. Unlike Umekichi, Omocha doesn’t trust men and believes that they will only use geisha and then abandon them without a care. Thus, she uses men to her own advantage. In doing so she is willing to manipulate and lie to her customers.
Blind Beast (1969)
, 1h24Directed by Yasuzō Masumura
Origin Japon
Genres Drama, Thriller, Horror, Romance
Themes Films about sexuality, Erotic films, Erotic thriller films
Actors Noriko Sengoku, Eiji Funakoshi, Mako Midori
Rating69%
Un sculpteur aveugle enlève et séquestre dans son atelier un modèle pour la soumettre à l'empire des sens afin qu'elle devienne une statue idéale. Comprenant après plusieurs vaines tentatives qu'elle ne pourra fuir ce cauchemar, la victime est peu à peu attendrie et envoûtée par son bourreau...
A Geisha (1953)
, 1h25Directed by Kenji Mizoguchi
Origin Japon
Genres Drama
Themes Seafaring films, Transport films
Actors Michiyo Kogure, Ayako Wakao, Saburo Date, Haruo Tanaka, Chieko Naniwa, Eitarō Shindō
Rating75%
Eiko is in the search of the okiya run by the geisha Miyoharu. As she approaches the screen doors, she witnesses an exchange between Miyoharu and a client. The client, greatly indebted and unable to afford Miyoharu's services, is coldly and mockingly berated by Miyoharu for his presumptuousness. Enraged by the sudden demise of her affected desire for him and her mercenary attitude.
Irezumi (1966)
, 1h26Directed by Yasuzō Masumura
Origin Japon
Genres Drama, Thriller, Crime
Actors Ayako Wakao, Kei Satō
Rating70%
Fuyant son père et sa famille entière parce que ces derniers n'ont pas voulu accepter la relation amoureuse improbable qu'elle entretient avec un simple commis, Otsuya trouve refuge chez un ami, le dénommé Gonji. La jeune femme et son amant vont alors connaître les pires mésaventures qui soient : Gonji tentera en effet d'abuser d'Otsuya et de faire assassiner le naïf apprenti. Dans le même temps le prétendu ami de la famille empochera l'argent donné par les parents pour rechercher Otsuya et pour finir vendra Otsuya à une maison de geishas pour une belle somme d'argent. Otsuya humiliée, restera toujours rebelle et revendicative. Mais surtout, à partir du jour où un mystérieux tatoueur lui gravera une araignée dévoreuse à même le dos, Otsuya se révélera être une véritable prêtresse vengeresse et le plus bel ange exterminateur qui soit.
Ugetsu (1953)
, 1h37Directed by Kenji Mizoguchi
Origin Japon
Genres Drama, Science fiction, Thriller, Comedy, Fantasy, Horror, Historical
Themes Seafaring films, Sports films, Transport films, Martial arts films, Ghost films
Actors Masayuki Mori, Machiko Kyō, Kinuyo Tanaka, Mitsuko Mito, Eitarō Ozawa, Ryosuke Kagawa
Rating80%
Ugetsu is set in villages which line the shore of Lake Biwa in Ōmi Province in the late 16th century. It revolves around two peasant couples – Genjurō and Miyagi, Tōbei and Ohama – who are uprooted as Shibata Katsuie's army sweeps through their farming village, Nakanogō. Genjurō, a potter, takes his wares to nearby Ōmizo. He is accompanied by Tōbei, who dreams of becoming a samurai. A respected sage tells Miyagi to warn her husband about seeking profit in time of upheaval, and to prepare for a probable attack on the village. Genjurō arrives with his profits, but she asks him to stop. Genjurō nevertheless works long hours to finish his pottery. That night Nakanogō is attacked by soldiers, and the four main characters hide out in the woods.
The False Student (1960)
, 1h34Directed by Yasuzō Masumura
Genres Drama
Actors Ayako Wakao, Eiji Funakoshi, Jūzō Itami, Sachiko Murase, Nobuo Nakamura, Ken Mitsuda
Rating73%
A Woman's Testament (1960)
, 1h40Directed by Kon Ichikawa, Yasuzō Masumura, Kōzaburō Yoshimura
Genres Drama
Actors Ayako Wakao, Hiroshi Kawaguchi, Hitomi Nozoe, Sachiko Hidari, Fujiko Yamamoto, Eiji Funakoshi
Rating66%
This is a series of three stories revolving around women. The first story is about a young woman who works in a Tokyo nightclub. She has what seems like a good plan for a strong financial future; she is investing in a company on the one hand, and on the other, taking action to snare the son of the company's owner in marriage. In the second story, a young woman is employed by a real estate agent in order to convince male clients to invest in worthless property, usually by bathing with them. The last story is about a widowed geisha who has no financial worries. But when she falls in love with a forger, she opts to wait for him after he is sent to prison. This causes trouble for her in family and society, but she ignores them despite the pressure.