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Street Without End is a japonais film of genre Drama directed by Mikio Naruse with Akio Isono

Street Without End (1934)

Kagiri naki hodo

Street Without End
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Length 1h29
Directed by
OriginJapon
Genres Drama,    Melodrama
Rating68% 3.434033.434033.434033.434033.43403

La Rue sans fin (限りなき舗道, Kagiri naki hodo) est un film japonais muet réalisé par Mikio Naruse, sorti en 1934.

Synopsis

À la suite d'un accident, Sugiko, jeune serveuse dans un café, rate un rendez-vous avec son fiancé. Croyant qu'elle l'a oublié, il rentre dans sa campagne natale. Yamanouchi, le fils de famille qui l'avait renversée tombe amoureux d'elle. Il l'épouse.

Actors

Akio Isono

(Koichi, her younger brother)
Shinichi Himori

(Shinkichi Yamamura)
Tomio Aoki

(Bellboy)
Takeshi Sakamoto

(Guest for portrait painter)
Chishū Ryū

(Yukihiko Chiba)
Trailer of Street Without End

Bluray, DVD

Streaming / VOD

Source : Wikidata

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Suggestions of similar film to Street Without End

There are 7 films with the same actors, 42 films with the same director, 61589 with the same cinematographic genres (including 237 with exactly the same 2 genres than Street Without End), to have finally 70 suggestions of similar films.

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Kikue (Mitsuko Yoshikawa) is an aging geisha. Her teenage son, Yoshio (Akio Isono), is ashamed of her profession and engages in truancy and juvenile delinquency.
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Mitsu (Sumiko Kurishima) works as a hostess in a Ginza bar entertaining docked sailors. She is single and supporting her son Fumio (Teruko Kojima). She shares a room with a couple (Jun Arai and Mitsuko Yoshikawa) who babysit for her.
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Yukiko Tsuji (Kinuyo Tanaka) is a gentle, affectionate take on a middle aged bar hostess, struggling to bring up a child alone and facing financial, sexual and end of career issues, as well as the implied disapproval of society.
Mother
Mother (1952)
, 1h37
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Dans les pre­miè­res années de la période Taishô (après 1912), Oshima, une jeune femme d’ori­gine cam­pa­gnarde, épouse un don Juan. Elle s’occupe cons­cien­cieu­se­ment de ses affai­res, tan­dis qu’il vaque à d’autres occu­pa­tions. Quand elle lui annonce qu’elle est enceinte, il pré­tend que l’enfant n’est pas de lui. Furieuse, Oshima se met à la recher­che de la maî­tresse de son mari, la trouve et exige le divorce. De retour à la cam­pa­gne, elle veut deve­nir indé­pen­dante et trouve une place de bonne dans un établissement. Mais le pro­prié­taire, un homme marié, cher­che à en faire sa maî­tresse.
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