The story of a father and a son, farmers, whose relationships are conflictual. In an attempt to forge a new complicity, they go on the wine trail, with a Parisian taxi, crossed at the exit of the Agricultural Fair.
In Paris, Lionel Kasdan, a retired BRI commander desperate to come back to action, investigates the strange murder of Wilhelm Goetz, a choir master and Chilean refugee found dead in his church with his eardrums blown out, surrounded by bloody children's footprints. Meanwhile, Captain Frank Salek, an Interpol agent on the verge of being suspended due to his erratic behavior, is on the trail of a secret organization specialized in kidnapping children. When he learns of Goetz's death, he establishes a link with his own investigation and reluctantly agrees to team up with Kasdan.
Germain is a 45-year-old illiterate handyman who has not had much luck in his life so far. He was bullied at school, both by the teacher and the other pupils because he was a slow reader. His mother never gave him love and affection, and kept reminding him that he was clumsy and an unwanted child, the result of fling at the French national holiday. But he ks loyal, with a good heart, and still parks his trailer close to her house where he maintains his lovely vegetable garden. He earns some extra money by taking his vegetables to the weekly farmer's market, in the truck borrowed from the bar where he relaxes every day with his friends, joking and chatting. His girl friend Annette is a younger woman who drives the local bus, and very much in love with this sweet, simple and loving man.
Inspector Paul Bellamy (Depardieu) is a seasoned and obese Parisian police detective on vacation with his wife Françoise (Marie Bunel) at her family home in Nîmes. Their tranquil holiday is complicated when he cannot resist becoming involved in the case of a man, insurance broker Emile Leullet (Jacques Gamblin), who recently attempted to fake his own death in a car crash near Sète for his mistress (Vahina Giocante) and the insurance money. Leullet, hiding under an assumed name and altered appearance and unsure what to do now, seeks out Bellamy for help. (Bellamy is a celebrity and well known throughout France through his published memoirs, which reveal he has a "soft spot for murders"). Leullet may or may not have killed the homeless man whose corpse was found burned in his car. The dead man, Denis LePrince (also played by Gamblin), was a son of a local judge, now also dead. Bellamy's alcoholic half-brother Jacques Lebas (Clovis Cornillac) shows up unexpectedly and soon he and Paul are bickering bitterly and Paul is back on the bottle himself, which he had previously given up. Françoise is not thrilled with all the disruptions. In between socializing with their gay dentist friend and his partner and quarreling with Jacques, Paul finds time to informally interview and repeatedly question Leullet, Leullet's wife, Leullet's mistress, LePrince's former lover, and many other local denizens. As things become more complicated, family tensions threaten to overwhelm professional obligations. Paul, a professional tough guy, finds himself pondering the meaning of his own life and relationships. Leullet turns himself in to the clueless local police chief who, apparently, has been sleeping with the mistress. He is acquitted at the trial where he is represented (at Bellamy's suggestion) by LePrince's girlfriend's lawyer who renders the defense (also at Bellamy's suggestion) in the form of a Georges Brassens song. (Brassens was a local Sète hero and had been something of an obsession for LePrince.) Jacques absconds with Paul's car and is soon reported dead in a car crash, but only after Paul has revealed to Françoise the dark secret underlying his fraught relationship with his half-brother and the source of his lifelong tristesse. The film ends with a W.H. Auden epigram: "There's always another story/There is more than meets the eye".
Quentin, a dim-witted small-time thief, holds up a foreign exchange booth. Unable to get the money he wants, he asks for directions to the nearest bank. When the police are given this tip-off, Quentin runs into a cinema where Ice Age is showing. He is caught when instead of continuing to run, he sits down and enjoys the film.
Pour tenter de sauver son couple à la dérive tant sexuellement que sentimentalement après 7 ans de mariage, Alain, qui est médecin urgentiste dans une clinique parisienne, consulte un ami sexologue. Celui-ci, à force de grandes théories pseudo-freudiennes sur le point D (le point du Désir qui ne doit pas devenir le point de la Déprime) le persuade que la solution ne passe que par la réalisation des fantasmes refoulés et la libération des mœurs (sex-shops, échangisme, films porno...), et lui conseille de mettre ses fantasmes à exécution avec sa femme, Audrey, employée de banque, femme devenue froide et ayant totalement cessé d'aimer son mari, ne maintenant sa vie de couple que par habitude installée au fil des années et pour l'éducation de leur fille Camille.
André (Gérard Depardieu), a Frenchman divorced from his wife, takes his teenage daughter, Nicole (Katherine Heigl), on vacation with him to The Bahamas. She is desperate to appear as a woman and not a girl, so in order to impress a local boy Ben (Dalton James), she makes up more and more ridiculous stories, starting with André being her lover and leading to some bizarre assumptions by the rest of the community.
Onoff (Depardieu) is a famous writer who is now a recluse. The Inspector (Polanski) is suspicious when Onoff is brought into the station one night, disoriented and suffering a kind of amnesia. As the head of an isolated, rural police station the Inspector tries to establish events through careful interrogation and deduction. By painstaking inquiry, he clears up a mysterious killing and brings the writer a new and strange realisation.
Vers la fin du XIX siècle, Étienne Lantier, machineur au chômage, arrive à la mine « Le Voreux », dans le nord de la France. Après la mort d'une mineuse du nom de Fleurance, il est engagé. Il est envoyé dans un petit groupe dirigé par Toussaint Maheu, qui devient son ami. La famille Maheu compte dix personnes : Maheu, mineur, son père, travaillant également à la mine, sa femme, la Maheude, et leurs enfants. Zacharie, Catherine et Jeanlin, les ainés, travaillent eux aussi à la mine ; Alzire, bossue, garde le lit ; Léonore, Henri et le petit dernier sont encore trop petits pour travailler.
The story introduces André (Gérard Depardieu), a Frenchman who is divorced from his wife. He takes his beautiful teenage daughter, Véronique (Marie Gillain), on vacation to a paradise island with him. She is desperate to appear as a woman and not a girl, so in order to impress a local boy, she makes up more and more fascinating, yet intriguing stories, starting with André being her lover - a sugar Daddy. André is desperate to make Véronique happy and so plays along with her elaborate games, the stories they make up get increasingly bizarre, funnily consistent.
Ageing court composer Marin Marais recalls his former master and un-equalled viol player, the jansenist Monsieur de Sainte Colombe. Sainte Colombe buried himself in his music after the death of his wife bringing up his two daughters on his own, and teaching them to be musicians, and playing in a consort with them for local noble audiences. His reputation reaching the court of Louis XIV, the king sent an envoy, Caignet, to request him to play at court. But Sainte Colombe sent the envoy away as well as the abbé Mathieu, and shut himself away in a cabin in his garden in order to perfect the art of viol playing.
Cyrano de Bergerac (Gérard Depardieu) is a Parisian poet and swashbuckler with a large nose of which he is self-conscious, but pretends to be proud of. He is madly in love with his "friendly cousin" (they were not actually related as cousins), the beautiful Roxane (Anne Brochet); however, he does not believe she will requite his love because he considers himself physically unattractive, because of his over large nose. Soon, he finds that Roxane has become infatuated with Christian de Neuvillette (Vincent Pérez), a dashing new recruit to the Cadets de Gascogne, the military unit in which Cyrano is serving. Christian however, despite his good looks, is tongue-tied when speaking with women. Seeing an opportunity to vicariously declare his love for Roxane, he decides to aid Christian, who does not know how to court a woman and gain her love.
The film recounts the troubled life of French sculptor Camille Claudel and her long relationship with legendary sculptor Auguste Rodin. Beginning in the 1880s with a young Claudel's first meeting with Rodin, the film traces the development of their intense romantic bond. The growth of this relationship coincides with the rise of Claudel's career, helping her overcome prejudices against female artists. However, their romance soon sours, due to the increasing pressures of Rodin's fame and his love for another woman. These difficulties combine with her increasing doubts about the value of her work drive Claudel into an emotional tumult that threatens to become insanity.
Au milieu des années 1920 dans un petit village fictif de Provence perdu dans la garrigue, Les Bastides Blanches, Ugolin revient du service militaire. Ce jeune paysan a un rêve : gagner de l'argent en cultivant des œillets. Son oncle, César Soubeyran, dit « le Papet », est un vieux célibataire prêt à tout pour que son neveu réussisse et se marie, afin que se transmette son nom, dont Ugolin est l'unique héritier. L'aboutissement de ces projets nécessite une source sur ses terres, un bien extrêmement précieux. La « ferme des Romarins » conviendrait parfaitement.
A teenaged boy has run away from home. His father is ineffective at finding him, so his mother contacts two former lovers from around the time her son was conceived, telling them both that the child is their son and asking them to look for him. One of them (Depardieu) is a tough journalist investigating the Mafia, while the other (Richard) is a timid former teacher who was on the verge of committing suicide when he received the telephone call. The two former boyfriends finally meet, and together they locate the son. They both argue who is really the father. In the end the son tells both Depardieu and Richard (while the other is out of earshot) that his mother thinks that he is the father. Thus, the son adopts both of them as his fathers, and also reconciles with his real father.