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Mayalokam is a film of genre Drama directed by Gudavalli Ramabrahmam with Pasupuleti Kannamba

Mayalokam (1945)

Mayalokam
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Genres Drama,    Musical,    Romance

Maya Lokam or Mayalokam (English title: Magic World; Telugu: మాయలోకం) is a 1945 Telugu film directed by Gudavalli Ramabrahmam.

It is a debut film for veteran actor and producer B. Padmanabham.

Actors

Pasupuleti Kannamba
Akkineni Nageswara Rao
S. Varalakshmi
M. V. Rajamma
P. Santha Kumari
Padmanabham
Trailer of Mayalokam

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Streaming / VOD

Source : Wikidata

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Suggestions of similar film to Mayalokam

There are 244 films with the same actors, 5 films with the same director, 70733 with the same cinematographic genres (including 991 with exactly the same 3 genres than Mayalokam), to have finally 70 suggestions of similar films.

If you liked Mayalokam, you will probably like those similar films :
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Directed by L. V. Prasad, Gudavalli Ramabrahmam
Actors Govindarajula Subba Rao, Pasupuleti Kannamba, Akkineni Nageswara Rao, S. Varalakshmi, Mudigonda Lingamurthy, Vangara Venkata Subbaiah
Rating68% 3.403333.403333.403333.403333.40333
Anugu, the King of Palnadu has three sons - Nalagama Raju, Narasinga Raju and Malideva Raju. He anoints Nalagama Raju as the king under the care of his minister Brahmanaidu. A wealthy and powerful woman Nagamma enters the kingdom. Progressive minded Brahmanaidu allows Harijan entry into temples and appoints Kannamadasu, a Harijan as the army commander. This hurts the upper caste people and also the prince Narasinga Raju, who seeks the help of Nagamma. In the King's court, Nagamma accuses Brahmanaidu which leads Malideva demanding a division of the kingdom. Nalagama Raju divides the kingdom and gives Macherla to Malideva Raju, with Brahmanaidu as his adviser. Nalagama holds the Gurajala under the control of Nagamma. She conspires to unite the country and make Narasinga Raju as the king. Malideva is invited for kodi pandelu (cock fight), the loser to leave the kingdom and live in exile for seven years. But after that period, she refuses to hand over the kingdom to Malideva. She has plotted to kill the emissary Alaraju, son-in-law of Nalagama. This results in war and the annihilation of almost the entire clan. In the war field, Nagamma realizes her mistake and seeks pardon from Brahmanaidu.
Raithu Bidda
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The film is a seminal reformist melodrama critiquing the Zamindari system from the viewpoint of the Kisan Sabha agitations in Andhra Pradesh. Small-time landowner Narsi Reddy (Raghawan) borrows money from a shavukar who represents the major zamindar (Sitapathy) of the village. When Narsi Reddy votes for a peasant candidate (Kosaraju) rather than for the political party supported by the landlord, his son is attacked and he is publicly humiliated.
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Shavukaru
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Changayya (Subba Rao) is a wealthy Sowkar (businessman) whose son Satyam (N.T. Rama Rao) is studying in the city. His neighbour is Ramayya (Srivatsa). Changayya is affectionate towards his daughter Subbulu (Janaki) and wants to make her his daughter-in-law. Satyam also likes this idea. But due to some conflict in the village courtesy Bangarayya, Ramayya provides the police witness against Changayya citing his hand present in the messy affair. The two families are thereafter estranged. They start off with petty fights, getting worse every day culminating with Satyam and Ramayya's son Narayana (Sivaram) ending up in jail after being framed. The local goonda Sunnapu Rangadu (S.V. Ranga Rao) plans to rob Changayya's place, but his plans are spoiled by Subbulu and Ramayya. Both the families end their differences, and become friendly once again. At the end, Satyam and Subbulu marry and live happily.
Mooga Manasulu
Mooga Manasulu (1963)

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The plot of the film is based on the concept of Reincarnation and a beautiful love story. Newly married couple Gopinath (Akkineni) and Radha (Savitri) are on Honeymoon and traveling in a boat in River Godavari. Gopinath cries to the boatman to stop the boat as there were dangerous Whirlpools ahead. On reaching the shores, Gopinath takes Radha to an old building. The boatman tells them that it belonged to a Zamindar and takes them to the Samadhis, which reportedly belong to that of one Gopi and Radha. They, then, find an old lady lighting deepam at the Samadhis. Gopinath recognises that she is none other than Gowri from his earlier birth. Gowri too recognised him as Gopi and breaths her last in his hands. The main story is narrated as flashback by Gopinath to Radha.